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Lot of 6, Kim Basinger, Jeff Bridges Gwen Verdon stills NADINE (1987) mini lobby

$ 3.68

Availability: 58 in stock
  • Return shipping will be paid by: Buyer
  • Condition: These original studio release and vintage, mini lobby cards/8x10/color stills are in MINT condition (old, no signs of wear, damage or age.)
  • Size: 8x10
  • Refund will be given as: Money back or replacement (buyer's choice)
  • Modified Item: No
  • Original/Reproduction: Original
  • All returns accepted: Returns Accepted
  • Restocking Fee: No
  • Country/Region of Manufacture: United States
  • Industry: Movies
  • Item must be returned within: 30 Days
  • Object Type: Photograph

    Description

    These are not trimmed, it’s just my scanner screwed up………… Lot of 6, Kim Basinger, Jeff Bridges, Gwen Verdon stills NADINE (1987) mini lobby cards/stills, vintage & original release! GET SIGNED!
    (It looks much better in person than these pictures reveal.)
    These cards were made in a limited number upon the original release of this film. Many were lost, damaged or discarded over the years. These may be one of the last pieces of memorabilia from the original release of this historic film. It would look great framed on display in your home theater!
    PLEASE BE PATIENT WHILE ALL PICTURES LOAD
    After checking out this item please look at my other unique silent motion picture memorabilia and Hollywood film collectibles! WIN SEVERAL OF MY AUCTIONS AND I CAN TRY AND SHIP THEM TOGETHER SO YOU CAN SAVE SOME CA$H
    See a gallery of pictures of my other auctions
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    These 8” by 10” mini lobby cards are vintage, original and not a copies or reproductions.
    DESCRIPTION:
    A woman trying to keep a momentary indiscretion quiet finds herself in more trouble than she ever imagined in this comedy written and directed by Robert Benton. Nadine Hightower (Kim Basinger), who is significantly more beautiful than intelligent, is fast-talked into posing for some cheesecake pictures by sleazy photographer Raymond Escobar (Jerry Stiller). When Nadine learns that Escobar plans to use the pictures for a set of racy playing cards, Nadine decides to steal the photos back, and she enlists the help of her soon-to-be-former husband Vernon (Jeff Bridges), who is already engaged to the winner of a local beauty pageant. In the midst of the robbery, intruders shoot and kill Escobar in the next room; Nadine and Vernon grab an envelope marked "Nadine" and make tracks. But the envelope doesn't contain any photos; instead, there are plans for a road to be built in town that reveal dirty dealings by local politicians, and now Nadine and Vernon are on the run from both Escobar's killers and land baron Buford Pope (Rip Torn). Popular country and western group Sweethearts of the Rodeo perform several tunes for the film's soundtrack.
    CONDITION:
    These original studio release and vintage, mini lobby cards/8x10/color stills are in MINT condition (old, no signs of wear, damage or age.)
    SHIPPING:
    Domestic shipping would be FIRST CLASS and well packed in plastic, with several layers of cardboard support/protection and delivery tracking. International shipping depends on the location, and the package would weigh close to a half to three quarters of a pound with even more extra ridge packing.
    PAYMENTS:
    Please pay PayPal! All of my items are unconditionally guaranteed. E-mail me with any questions you may have. This is Larry41, wishing you great movie memories and good luck…
    BACKGROUND:
    “I thoroughly enjoyed this comedy caper movie set in the Deep South, and I can't understand why it has such a low average vote. Kim Basinger and Jeff Bridges play a divorced couple who team up to solve a murder mystery and end up re-igniting their relationship. The two have a good on-screen chemistry which, along with the comic-book-style humour and plot, is what makes the movie. All in all an enjoyable comedy/romance/thriller/caper/adventure affair with style and wit.   But it's a delightful little caper movie, driven (as all good movies are) by the performers and a tight script by Robert Benton, not known for his enjoyable caper movies!   Jeff Bridges all but steals the film from a delightful Kim Basinger, and the two of them together set the screen on fire. They are surrounded by some of the best character actors working today, including Rip Torn. As I was watching this I thought how smart Robert Benton is for casting real actors, and having the comedy come out of their behaviour and talent, rather than casting 'wacky comedians' and reducing the story to little bits.   Let me begin by saying I am just astonished to see the low average of viewer comments for this splendid movie. I just have to figure the commenters are a bunch of Yankees who never set foot in the South and have no feel for the slow, quiet humor that this fine film represents.   But even that cultural adjustment doesn't explain the complete failure of these other reviewers to appreciate a really finely drawn comedy, from beginning to end. This is a wonderful work by the fine writer and director Robert Benton, who defies the axiom, Comedy is hard. He makes it look easy.   What he did was simple, looking back, but so very hard for most people to do: He set up a funny plot and kept it funny from one scene to another, by keeping it low key and letting the characters carry the humor lightly, one slightly ridiculous moment after the other, thus avoiding the great comedic danger: You can kill comedy by overworking it.   Benton takes a plausible story about some Texas corruption and discovered maps with some amusing twists to it and jacks it up with some great dialogue and some fine actors -- mostly Southern, as it happens: the fine actor Rip Torn (birth name, Ripley J. Torn, Jr., Texas) and Kim Basinger (Alabama). Robert Benton himself is from Waxahatchie, Texas, and wrote the screenplay with full knowledge and confidence of the plausibility of the plot and the reality of his characters.   Folks, I know lots of people like these characters. So do you. Good people, simple people, women who on the phone who soon ask, How's yer Mom 'n 'em? And Benton has given them a moment of great adventure and humor.   A few gems: Jeff Bridges: "I'm not in the Vernon Darlin' business anymore." Basinger naming her early fetus Doris Isabel and talking to her. Rip Torn: "Why is it you work your butt off all your life to get ahead and it takes two nitwits about ten minutes to screw the whole thing up." And in her most glorious beauty, Glenne Headley as the girlfriend, full of Texas spunk.   I truly pity the Yankees and Californians west of Bakersfield who cannot see the beauty of this film. But you know what? We don't need you. This movie is like Elvis. It will live forever.   This film isn't very well known, and should be, especially for Kim Basinger fans. It proves once and for all that comedy is her forte, and that she has broad range between performances such as this and her role in "Fool for Love" as a character actress, and not just a pretty face or an adequate leading lady. The chemistry between her and Jeff Bridges is like TNT and drives the film forward, and the added comic bluster of Rip Torn as the villain (and the clever script and direction by veteran Robert Benton) makes this a comic gem in the true tradition of the 1930s screwball comedies, but updated for the 1980s. If you're a fan of such films as "His Girl Friday," and would like to see what that frenetic energy and great chemistry can be like updated into the 1980s, see this movie!   This movie easily makes it into my top 10. I loved it when it came out in the 80's and still watch my VHS copy often. For some reason it just struck a chord with me- my family often quotes lines from "Nadine" to each other. I was quite puzzled to see such a low score and wanted to add my opinion that it seriously does not get much better for this type of movie. The script is excellent and it is perfectly acted. Jeff Bridges and Kim Basinger are amazing together, but every character is a scene stealer. The movie moves along at a good pace, with lots of laughs and plenty of action. I highly recommend it, and it has really kept its appeal, even 21 years later.”